Fifth Week Fiction – As Sporadic As Special Item Drops

Yes, my consistency on blog posts hasn’t been stellar lately…but! Can you think of a better way to ring in the new year than with a little fanfiction?

(Don’t answer that.)

In keeping with the theme earlier this month, I decided to share a Shovel Knight snippet. Let’s see how I do expressing mannerisms and movement!


Plague Knight edged onto the docks and peered cautiously into the water. A perfect reflection of his mask rippled back. Troupple Pond lie still and quiet but for a scattered few cicadas trilling in the bushes. Plague Knight looked up and around, into the trees, but saw nothing. No living creatures – fish, fruit, or otherwise.

So he took the chalice out and held it aloft.

There was a rumble; the pond began to churn. Plague Knight took two steps back as troupple fish sprang from the water. Just small ones with bare stems and a greenish hue to their bellies. They leapt higher, gaining altitude, until they hooked by their stems in the overhanging tree branches.

The water continued to swirl, a huge eddy right in its center. The Troupple King breached in regal form, with his eyes closed and whale-ish mouth pulled taut. His breast slammed into the pond and sprayed water for yards.

Plague Knight stood, chalice still held high, drenched through.

“Who has awakened me?” the Troupple King boomed. “Mortal! Hast thou come seeking – Wait a tic! …Alchemist!”

Plague Knight lowered the chalice and made a halting bow. “Uh, heh, my liege.”

“News of your wicked deeds has reached our ears,” the Troupple King said. “How dare you tarnish us with your presence? Begone from this sacred grotto.”

“Uh…but, Your Grace, you see, I actually came to learn how to…d-dance.” Plague Knight cleared his throat. “Right now, I can only sort of…twitch.”

“Is this so?” the Troupple King inquired. His hostility had vanished nearly instantly, and he’d begun to preen. “ ‘Tis true we possess keen rhythmic insight. But first, Alchemist, let us see what we have to work with. Demonstrate your ability to us now.”

Plague Knight fiddled. He stuck an arm out, then a foot, and jerked through what he hoped were the first few steps to a waltz. Or a tango. Or something.

“CEASE!” the Troupple King cried, and Plague Knight nearly toppled into the water. “What is this monstrosity? Where is the rhythm? Where is the passion? Alchemist, thou art in need of a miracle.”

“It…it really can’t be that, uh, bad,” said Plague Knight. “…Can it?”

He was met with the silent stares of every troupple fish present.

“It is fortunate for you,” the Troupple King continued, “that we are miracle workers. Behold, and take this lesson to heart, for there is only so much I can teach you. Let us begin!”

From up in the trees, the hanging troupples began to sing. The Troupple King closed his magnificent bulbous eyes and bobbed gracefully through the water. He went in perfect sync with the music, even as the smaller troupples dodged about him in a dance of their own.

Plague Knight tried to study, but the dance of a fish wasn’t quite similar to the dance of a person. Fins lifted, dorsals shimmied, and the Troupple King threw his great big mass all over the pond until everything was properly soaked. Perhaps, Plague Knight thought, it was time to go.

A small troupple fish bounded from the pond and nudged Plague Knight in the knee. Before he could regain balance, another fish leapt from the other side and bopped him in the shoulder. Plague Knight swayed and flailed.

“H-hey! What are you – Stop that!” As another caught him on his backside.

The assault continued until Plague Knight began to get the feel for dodging. He lifted his arms, spun, side-stepped, back-stepped, and dipped past each attack. After a while he noticed they came in an expected pattern, and – what with the musical accompaniment – he evaded with more flair. A troupple fish dove at him from behind, but he’d predicted the move and swept to the right just as the fish flew through.

“Ha HA!” Plague Knight exclaimed in triumph.

The troupple assault had finished. And so had the music. Plague Knight looked about him; the troupple fish had all gone back to their places in the pond and trees. The Troupple King himself rested magnificently in the middle of the water. He regarded Plague Knight with a knowing smirk.

“And that, Alchemist, is how it’s done.”

Plague Knight’s arms were still outstretched; his feet stood at angles in a sort of bow. You could have said the pose was almost…graceful.

“I…uh…hee hee…I danced?” he said.

“Well, more or less,” the Troupple King grimaced. “But do not become cocksure in your talents, oh wicked one. A true dancer must practice his art if he hopes to become a master. Remember what you have learned here.”


Glorious!

Fifth Week Fiction – Just When You Thought There Wouldn’t Be One

Even though I got rid of my “Grab-Bags”, that doesn’t mean I’m gonna forsake my fiction snippets. After all, they’re the easiest posts to do – since most of the time they’re already written. *grin*

Nope, I still don’t have original work for you. You wanted to enjoy more fanfiction anyway, right? (RIGHT?) Here’s a continuation of my last FWF.

*This is not a final draft, so all continuity errors in format should be disregarded.


[Fireworks!]

— OUTSIDE THE PALACE several Nimbusans have gathered around boxes set by the palace entry. One Nimbus boy jumps up and tries to look inside. His mother peeks too.

[The mole, King, and Queen Nimbus exit the palace. Nimbusans disperse and bow to the royalty, but they still talk animatedly with each other. The mother of the peeking boy sheepishly smiles as she pulls her son away.]

MOLE

(more comfortable now, like he’s in his element) Well! Haven’t had a fanfare like this any other place I’ve sold my wares. Y’all curious to see what’s inside?

[The crowd exclaims several things at once.]

NIMBUSANS

Did you bring these boxes?

Ooh, what’s inside them?

We haven’t had anyone visit from Below in years!

Does everyone from Below look like you?

(child) Are you gonna show us what you brought?

I think it’s clothes. Or food. Ooh! Or dirt! I’ve heard about dirt!

[The mole pulls one box toward him and prepares to lift the lid.]

MOLE

Y’know, back in my hometown we make most of our livin’ in the mines. But I always kinda hankered for a more intrepid career. And now here I find m’self, clear past the edge of the world!

(He turns back to the King and Queen, and resumes a little of his shyness.)

If, ehm, yer Majesties will permit me…

[The King and Queen motion for him to continue, and so the mole, with a bit of flair, whisks off the box’s top. Inside, there are mounds of fireworks. The Nimbusans crowd in excitedly.]

MOLE

(pleased with himself) Heh, we use dynamite, see, for breakin’ the tougher rocks. But I thought to m’self, I says, “These boom sticks might work as entertainment, given the right adjustments.”

(He pauses modestly.)

So here I am, tryin’ to make a mark in the business world. If it pleases yer Majesties, I’d like to offer maybe…a few nights’ firework displays? First night’s free, ‘case you have yer doubts about my workmanship.

[The crowd buzzes and turns to their rulers.]

NIMBUSANS

Yes, please, King Nimbus!

(child) Mama, we’ll get to see them, won’t we?

Too bad it’s not dirt…

[Everyone, Queen included, watches King Nimbus for his response. He strokes his mustache thoughtfully.]

KING NIMBUS

(frowning) Hm, no. No, I don’t think that will do at all.

[The Nimbusans look shocked, and there’s a collective sigh. The mole’s hopeful smile droops.]

KING NIMBUS

We simply must pay for the first night as well.

[The mood changes immediately. Nimbusans cheer. The children jump around the mole, who looks happily stunned.]

QUEEN NIMBUS

(aside to the King) You’re too clever, dear.

KING NIMBUS

I do try. And honestly, it’s just proper etiquette. Why, when I was young, everyone knew how to treat a visitor, and I certainly learned…

QUEEN NIMBUS

(while the King rambles on) Yes, dear. Speaking of, shall we arrange for our visitor’s stay?

— Transition to NIGHTTIME in Nimbus Land, same scene.  Nimbusans are gathered together, exclaiming at the fireworks the mole is setting off. Nimbus children run around with sparklers. Garro stands near the mole, and we faintly hear him apologizing for his failed escort earlier that day. Valentina exits the palace and approaches the King and Queen—mingling among their people.

VALENTINA

(somewhat to herself) What is this ruckus for? It’s like a bunch of pillows exploded, and the fluff’s just flying everywhere.

KING NIMBUS

(turning from the crowd) Ah! Valentina. I didn’t expect you’d join us, what with your tendency to loiter around the throne room while we’re away.

[King Nimbus mentions this with complete obliviousness, but Valentina puckers guiltily.]

KING NIMBUS [cont.]

At any rate, this mole fellow puts on an astonishing show, so I really recommend you stay for the rest of it.

[Garro, now holding a sparkler, is drawing detailed pictures with it in the air. The Nimbus children enjoy this immensely. Valentina wanders through the assembly of Nimbusans, turning a skeptical eye toward the fireworks display.]

VALENTINA

(as she approaches the mole) So you’re the cause for all this fuss, hm? Ho ho… This land is so estranged from the ground, its people get excited over the craziest novelties.

MOLE

(a little taken aback) Well, erm, I think these folks right kindly, an’ I don’t mind the enthusiasm. You…you look a smidge different from the folk here, yerself.

VALENTINA

(in a brush-off manner) Oh, no no, I’m one hundred percent a resident of the kingdom. Head of the palace workers, in fact—VERY important position.

MOLE

Oh! You work for the King and Queen? They seem like right nice individuals. Must treat their employees real kindly-like.

VALENTINA

(with as false a smile as possible) Why, it’s ALMOST like being royalty yourself. Ah, ha ha…

[They watch King Nimbus play with a crowd of Nimbus children. Queen Nimbus is talking with an animated young girl who seems very pleased with the attention.]

MOLE

Have to say I like this place. I’ll have to come back once I build more fireworks back home. Want to be able to support a family sometime soon, y’know. Settle down and raise a passel of mole pups. Looks like the King and Queen make fine parents, themselves. Which ones are theirs?

VALENTINA

Theirs? Oh, the King and Queen don’t have any chil…dren…

[Valentina zones out as the thought settles in.]

MOLE

(embarrassed) Oh gosh, I wouldn’t’ve asked if I’da known…Blast a bomb in my face fer bein’ so rude. It’s not my business, is it, ‘specially when it’s royalty concerned. Ohhh, I bet I’ve made a blunder. You won’t tell ‘em I been nosin’ around about their personal lives, will ya?

VALENTINA

(blinking out of her stupor) Hm? What’s that? Oh! (chuckles) Don’t worry your little head about that. Your secret is safe with ME. Now, um, if you’ll excuse me…I have to get to some of that…WORK I was talking about…

[Valentina walks away, trance-like. Scene fades.]

 

[Valentina’s Plan for the Throne]

— Open on the EDGE OF NIMBUS LAND. It’s been a couple of days, and the mole is preparing to leave. King and Queen Nimbus see him off ahead of many more Nimbusans waving goodbye. Before the Mole starts down the vines, King Nimbus arrests his attention and holds a notepad up to the Mole’s face. The Mole smiles bashfully and signs his name on the page—to the King’s immense delight.

VALENTINA [off-screen]

It can’t be as simple as that; it can’t! And yet—

— Cut to Valentina pacing her QUARTERS. Dodo and two Birdies are in the back of the room, watching Valentina walk back and forth, back and forth…

VALENTINA

(stops abruptly; Dodo and the Birdies get neck cricks) —I’d be a fool if I didn’t take advantage of it. It’s practically coronation on a silver plate.

BLUE BIRDIE

(tentatively) I don’t get it, Valentina. Just because the King and Queen have no kids, you get to be in charge?

VALENTINA

Try to think about this, dimwits; I know it’s hard. Look, it’s not just that they have no kids. They’ve had no kids for years. And they’re getting old. If they planned to sign things over to an heir, they’ve put themselves in a corner. A corner I can definitely FILL.

[The Birdies and Dodo exchange glances. Valentina’s bust coincidentally takes up a whole corner of the shot.]

RED BIRDIE

So, you’re going to be the heir instead? But you’re not even related to them. Why would they give YOU the kingdom?

[Valentina clutches the Birdie’s beak and pushes down so he’s forced to stare up at her.]

VALENTINA

(smiling cruelly) Because YOU all are about to make me a HERO to the royal family.

[Scene fades as Garro narrates.]

GARRO (as NARRATOR)

This seems like an appropriate time for me to explain the Nimbus Land “birds and the bees”.

(beat; the screen stays completely black)

Whoa, hey wait, where are you going? No, it’s not like THAT! Just relax and let me explain.

— In a Nimbus couple’s HOME a Nimbus man is saying goodbye to his wife as he heads to work.

GARRO (as NARRATOR) [cont.]

We Nimbusans fall in love and marry like anyone would. But after this things go a bit differently for us.

[The Nimbus man enters the palace and begins his shift as a guard.]

GARRO (as NARRATOR) [cont.]

See, I hear that for others there’s a point where you find out you’re having a baby, and then after you prepare for a bit, the baby arrives. For Nimbusans…there’s no time for preparation.

[The guard returns home, walks in the door, and stops in his tracks when he sees his wife standing there with an infant in her arms.]

GARRO (as NARRATOR) [cont.]

The little one just shows up.

[The Nimbus man wanders over to marvel at the baby as his wife smiles with a “here we go” kind of look.]

GARRO (as NARRATOR) [cont.]

We can’t control it; we can’t predict it. It’s just the way things go. Oh, but we adore our children. When they come, it’s like a surprise party you didn’t know your friends were planning.

[Cut to the Nimbus couple presenting their new child to King and Queen Nimbus, who smile in congratulations.]

GARRO (as NARRATOR) [cont.]

Here’s another particular thing about our children: families usually only ever have one.

[Another family comes to the King and Queen on a different day, presenting their child. King and Queen smile again.]

Sometimes two…

[The first family returns; time has passed, and their first child is grown, with a second baby in Mom’s arms. King and Queen Nimbus look surprised, but still smile.]

…NEVER three, good lands, no. Something to do with keeping a short monsoon season, I think.

[The new infant begins to cry, and we see rain streak down outside the palace windows. The older child of the family shyly approaches Queen Nimbus and hands her a flower.]

GARRO (as NARRATOR) [cont.]

Now, as a bachelor, maybe I have no idea what I’m talking about. But I think the surprise of having a child is one of the most anticipated events for families. Ours always wait excitedly for it.

[Focus on King and Queen Nimbus as the last family leaves. Queen Nimbus holds the flower, but her smile falls, and she looks to the side. King Nimbus notices and reaches for her arm. She turns, manages a half-hearted smile, and then looks away again. King Nimbus watches her, concerned. Scene fades.]

Fifth Week Fiction – A Sneak Peek

I had an idea to post some personal fiction that was appropriately “cozy” for this time of year, but searching through my work brought up…very little. In fact, it mostly resulted in me saying, “Whoa, that needs to be fixed. And that. And that… And I definitely don’t write that way anymore…”

So you know what that means: ALL ABOARD THE FAN FICTION TRAIN! I decided I might give a little peek at my year-long project after all. It’s the Christmas present you never always wanted!

No preamble for you. The only thing I’ll tell you is that, yes, this is in script format.



The Cast

For Part I, in Alphabetical Order

Dodo: Valentina’s slow-witted and subservient henchbird. Looks like a giant black toucan with a metal helmet. Never speaks. He hates working for Valentina but is too dumb/lazy to quit.

The Fireworks Mole: A humble fellow who’s traveled far to sell his fireworks. He’s the first visitor Nimbus Land has seen in many years. Wears green overalls and a green cap; keeps his clawed feet and hands exposed.

Garro: The royal sculptor of Nimbus Land. He sculpts and gilds statues for the King and Queen and is also their close friend. Has a green curl of hair on his forehead and wears typical Nimbus garb: a fez, work vest, and parachute pants. (Hammer time!) He narrates Part I.

King Nimbus: The kindly, if excitable, ruler of Nimbus Land. He enjoys collecting birds, autographs, and statues and is exuberantly playful – if sometimes long-winded. He wears a pyjama set in blue and purple stripes, and has a gold medallion around his neck. His hair curl and mustache are brown.

Queen Nimbus: The calmer monarch; she is sensible and generous and keeps the King in check if he rambles. Can be the more emotional one when grieved. She wears a white head cover with gold embroidery, a pink sari and green wrap that covers her arms and hands. Her hair curl is magenta.

Valentina: The palace castellan (in charge of the workers, though she doesn’t often do her job). She plots to overthrow the King and Queen and rule Nimbus Land. She is not a Nimbusan. Wears a white dress with a slit up one side, and her bust is…voluptuous. Her hair is a parrot. Don’t question it.

[lol, free image ’cause I don’t got art skillz]
[Travel to Nimbus Land]

Open with running shot of LAND’S END & BEAN VALLEY. It’s midday. The camera pans over the sea cove, beaches, cliffs, up into Bean Valley’s vines. A quarter through the shot, Garro as narrator begins to speak:

NARRATOR (GARRO)

If you are any sort of traveler, chances are you have at one time or another determined to visit the end of the world. Perhaps you’ve already been. If so, you’ve likely seen the cliffs looking out to the sea, or the sleeping volcano near the cape, or Bean Valley with all its vines climbing into a blinding bright sky.

The shot slows as it swivels through BEAN VALLEY. you can see the ocean off the cliffs glinting in the sun.

NARRATOR (GARRO)

Yes, these are wondrous sights, it’s true. And I’m supposing you took in these sights, breathed the air of adventure, and then…

[Scene cuts to black]

NARRATOR (GARRO)

…promptly turned yourself around and went back home. (pause) My friend, don’t you know that there’s more when you travel…up?

Cut back to BEAN VALLEY. Camera soars upward, weaving through corkscrew vines of all colors. The running shot moves faster and faster until it bursts through thick, fluffy cumulous clouds.

NARRATOR (GARRO)

(enthusiastic) THIS, my friend, is Nimbus Land! See what all those travelers have missed for years and years?

Pan over NIMBUS LAND: shows homes made from the vines poking through the clouds. There is a palace at the east end of the kingdom. It’s a middle-east inspired building with rounded turrets, and the vines seem to grow all through it. The palace itself is a mix of white marble and pink stone.

[The citizens of Nimbus Land are cloud people, and everyone is nice and plump and smiling.]

NARRATOR (GARRO)

We’ve been STARVING for guests. It’s not easy, you know, being so far out of sight and never getting a chance to really host someone.

Enter the MARKET AREA of Nimbus Land, where shopkeepers and the hotel proprietor bustle about. The shops show off colorful garments, bright accessories, and art creations.

NARRATOR (GARRO)

We’re a social people, us Nimbusans. It’s a shame no one can find us, since we’re famed for being extraordinarily hospitable. But I suppose I can understand: it’s a hard climb from Bean Valley, and we don’t have many ways of announcing ourselves to everyone living Below.

[Nimbusans busy themselves at the market]

NARRATOR (GARRO)

Of course, there was that time the mole found us. We thought maybe that would open the way for more visitors, but after the baby Prince… Well. This certainly isn’t the time for me to talk tragedy with you.

What would you like to see first? The market? Maybe our five-star hotel and accommodations? Wait—of course you want a tour of the palace. King and Queen Nimbus still keep it open, after all, and despite the melancholy air it’s as beaut—

Hm? No tours, you say? Oh, you want to know what I mean about melancholy and tragedy.

Transition to GARRO’S WORKSHOP. There are gold statues on display everywhere—on the floor, on shelves, half-made on a stage at the back of the room. Garro stands by his gold vat; he’s in the middle of gilding a statue.

GARRO

(sighs and shakes his head) Well, it’s a long story, and it’ll only demoralize you before you’ve had a chance to enjoy our kingdom. Are you sure you want to begin that way?

(Garro looks deliberately into camera, then shrugs and looks away sadly.)

I guess I won’t change your mind. Ah, who knows? Maybe sharing the story will help us with the grief at the King and Queen’s loss.

[Scene gradually fades.]

GARRO

Let’s see…I think maybe it’s best to start our story…

 

[Valentina Deserves Attention]

Close up of Valentina’s face. Her wide mouth is pursed, and her eyes shift left to right. The parrot hangs glumly on her head.

GARRO

…here.

The shot zooms out and shows Valentina sitting in the Nimbus Palace THRONE ROOM. She’s stretched across the royal settee and has a martini glass dangling in her right hand. The throne room has rose walls. The floor is lapis lazuli. The tail ends of vines have crept through the room’s open windows, and birds are perched in them everywhere. Stairs lead from the settee down to the hallway door.

[Valentina languishes over the settee’s armrest.]

VALENTINA

So much that needs to be changed! Where do I start? More curtains over those windows. Think of the awful sun rash I’d get on my flawless skin! All along those stairs…

(She waves toward the hall door)

…I’d put rows of statues that reflect my lustrous beauty. In fact, why just by the stairs? Let’s fill the palace with them. But most importantly—

[Valentina’s thin but heavily-glossed lips twitch as one of the birds in the room chirrups happily.]

VALENTINA

(speaks through gritted teeth) MOST IMPORTANTLY I’ll throw out all these BEASTLY twittering noisemakers! It’s enough to give me a headache! Birds are meant to serve, not sing.

[Valentina holds her martini glass up for a drink, discovers it’s empty except for an olive rolling around the bottom. She reaches her other arm back and brings her knuckles down on Dodo, who is slumped behind the settee. Valentina hits his beak with a crunch, and Dodo stumbles back on impact.]

VALENTINA

Lunking idiot! It’s your job to keep this full. Now…FILL IT!

[Dodo pours drink from a shaker into Valentina’s glass.]

VALENTINA

It’s enough to drive an illustriously beautiful person mad, not receiving the attention one deserves. Or the riches. Or the authority. It’s almost as flummoxing as having a vapid feather-covered lard ball as your henchman.

[Dodo bristles, but knows better than to retaliate. He screws the cap back on the martini shaker.]

VALENTINA

(sighs) I could just stage a coup. It’d be easy enough fooling these gullible cotton-heads. But I’d have to risk…angering them. (Her eyes widen.) And it’s not a good idea to anger them… GUH!

[Valentina flings her head dramatically against the settee. Her parrot hair squawks.]

VALENTINA

If only take-overs were as simple as your marble-sized brain seems to be, Dodo.

[There’s a sound of footsteps approaching the throne room door. The guards outside greet someone.]

VALENTINA

(panicking, downs her drink and shoves the glass toward Dodo) The King and Queen! I thought they wouldn’t be back for at least another hour! Dodo! You cranial cavity, get out of the room!

(Dodo scuttles down the stairs.)

No, not through the door, idiot; use the windows!

[Valentina shoves Dodo toward the closest window. She gives him four good heaves before his bulk finally squeezes through, and he flaps away clumsily.]

VALENTINA

(whips around as the door opens, prepares to greet the King and Queen) Majesties, I took the liberty to prepare the hall for recei – Oh! Garro! My, how…relieving to see you standing there.

[Garro stands just inside the throne room door. He appears to be puzzled at finding Valentina here.]

GARRO

Oh, Valentina. You weren’t who I expected to see. The King and Queen are out, I’m guessing? It’s not really receiving time yet, I suppose…

VALENTINA

(sugary-sweet) Garro, pardon me if I’m speaking out of line, but with the…dazzling work you do for the King and Queen, shouldn’t they be more considerate and punctual when you come to deliver your statues?

GARRO

(laughs) What a bizarre thing to say, Valentina! I have no deliveries today. I was looking for their Majesties so I could inform them – Oh! (suddenly VERY eager) I should tell YOU! Valentina! You won’t believe this: we have a VISITOR from Below! Isn’t that wonderful? It’s probably been decades since our last one! And he’s right here, ready to be introduced!

VALENTINA

(looking over Garro’s shoulder) ‘Right here’…where?

GARRO

Why, behind me where I just came…through…the door.

[Garro turns around and realizes he’s entered alone.]

GARRO

Oh dear. I seem to have lost him.

 

[The Mole Meets Royalty]

Panning through a hallway in NIMBUS PALACE. The scene design looks very much the same as it did in the throne room. The Mole appears as he turns into the hall. He wanders around and looks very lost.

GARRO (as NARRATOR)

Yes, It’s true what they say: a Nimbusan would forget his own face if it wasn’t stuck to his fluff. But I hope you don’t blame me. I promise you we pride ourselves on our hospitality. It’s just that…with so few guests to entertain, our hospitality can get a little rusty. And we might accidentally LOSE our guests.

[The mole approaches a couple tending to the birds in the hall. It’s the King and Queen, but the mole hasn’t realized this yet.]

MOLE

(slightly exasperated) Beg pardon, are y’all workers in this palace? Call me lost as a carrot in a crowd of potatoes, but I just got no clue where I’ve gotten myself.

[King and Queen Nimbus turn to greet the mole. The King is holding a light blue bird.]

KING NIMBUS

I say! You’re certainly an unfamiliar face. I don’t think I’ve seen you before. Need a bit of direction, do you?

MOLE

(scratches under his cap) Well, see now, I come from a place where our mazes are all underground, so this cloud stuff’s got me all dizzy and confused…

[King Nimbus turns excitedly to the Queen]

KING NIMBUS

Do you hear that? He’s someone from Below! I can’t think how long it’s been since we’ve had such a visit. (leans conspiratorially closer to the mole) Might I have your autograph?

[The mole blinks back, stupefied.]

QUEEN NIMBUS

(patiently) Perhaps we should try to help him first, dear. (She turns to the mole.) Where do you need to go?

MOLE

Eh…well, I came fixin’ to speak with Their Majesties about an enterprise of mine, and that statue-makin’ fella said he’d right take me to the throne room. But I lost sight of ‘im ‘bout ten turns back, and I got not even the faintest where I should look nex—

[He takes in the crowns that rest on both King and Queen Nimbus’s heads. His mouth widens.]

MOLE

(hushed) Cake my nails in dirt an’ call it a manicure. (He flattens himself to the floor in an exaggerated bow.) Your most illustrious…er … magnificent… SUPERLATIVE rulers. Thousand pardons; I had no idea this hall would lead me bargin’ in on your Worships all rude-like. Don’t take no offense at my manners, just an earthy mole like m’self—

KING NIMBUS

(interrupting) Offense? I say, you’re being a tad excessive, don’t you think?

[The mole peeks up from his supine position.]

MOLE

Beg…beg pardon?

QUEEN NIMBUS

No need, dear. Nothing wrong with having a pleasant conversation, after all. Now, what’s this enterprise you wanted to show us?


TO BE CONTINUED…

(P.S. Formatting in WordPress is evil.)

Freebie Fiction – Dragon Quest IV

stellar-squads8

As previously promised in my last post, here’s a special treat related to Dragon Quest IV.

When I want to practice a writing style or technique, I like to do so through fanfiction (when there’s other, more important things I should be doing with my time). This is a rewrite/interpretation of one scene in the game.

In case you’re wondering, Meena and Maya are the most fun to write. Torneko is the most difficult. Who knew an Irish lilt would be so hard to accurately portray?


Solo stood before the room door, knuckles poised to knock. He tilted his head to look at Maya and Meena waiting expectantly behind him.

“I don’t know,” he said. “Should we really bother someone in their own room? I mean, even if he is a Chosen.”

“If it is truly fate, he will not be annoyed by our visit,” Meena said. “You must trust the prophecy’s guidance.”

“Yes, but does the prophecy say specifically that we should knock on strangers’ doors?” Solo persisted.

“Oh, for pity’s sake!” Maya bustled forward. “What is the worst he could do? Smack you with his walking cane? Just be letting me handle this.”

She bumped him roughly to the side and rapped three times on the door. From inside the sound of shuffling feet neared; the door swung open, and there stood the old man, leaning on his staff. He looked Maya over and squinted.

“You are not chambermaid,” he stated. “But perhaps they send you with cloths?”

“Arey? Why would I be sent with your dirty dirty cloths?” Maya said. “We are here to be talking to you about destiny and other such nonsense.”

“Sis!” Meena protested from behind.

The old man looked from Maya to Meena and then to Solo, who attempted his best ingratiating smile.

“I am not interesting in such prattle,” he said. “Please to leave without further pesterings.”

He began to shut the door, but Maya quickly wedged her wrist in the gap.

“Wait! Just be listening for two seconds. The world is going kaput in so many ways, no? What if you could be stopping all the mess and bringing back peace? That is being worth your time, surely.”

Meena couldn’t help gaping as Maya finished. “You…you have said such a beautiful thing, sis. I am stunned speechless! Maybe you are able to be serious after all.”

Just as she gave her praise, Maya wiggled her hips coquettishly. “Besides,” she said to the old man, “Such selflessness is bound to make you famous and rich, which is reason enough, no?”

Meena groaned and glanced heavenward in a silent plea, maybe asking for a new sibling. The old man, for his part, was unmoved.

“I am regretful,” he said, “as you are appearing sincere with desire for to change world. But request is currently inconvenience for me. I am waiting only for cloths, which hotel staff seems tarrying to supply.”

A clatter of bagged merchandise announced Torneko’s ascent up the stairs. As he came round the corner toward Solo and the others, he held out a tray clasped in his hands.

“Sure an’ it’s odd, but when the concierge gave me the key to our room he asked would I bring up these damp cloths fer your man stayin’ next door. Figured I might as well do a good turn as ‘twas on my way.” He took in the scene: Meena and Solo standing to the side, Maya’s hand still barring the doorway, the old man peering through the gap. “Aye, ye’ve gone an’ had a craic without me, have ye? I get the feeling this’ll be common fare in our travels.”

“Unnnngh…” came a groan from within the room.

The old man looked over his shoulder and turned brusquely away, leaving the door to swing wide open. Inside, a young fellow lay doubled up in one of the beds. His face was ashen and blotched with green, like mold on white bread. His brow shone with perspiration and kept furrowing in distress.

He swallowed between belabored gasps and seemed to be trying to speak. The old man rested a hand on his shoulder and mumbled some words to him, which seemed to calm him down, at least somewhat. He kept clenching the bedsheets near his stomach.

Torneko peered into the room and whistled.

“Japers, that fella’s sick as a small hospital, so he is. Reminds me of the time my own Tipper went down with the measles. Had a right go of it for weeks against the disease, he did.”

“The man is doing poorly?” Meena said. “Sis, Don’t be standing so close to the doorway! You will catch his awful awful sickness!”

“Ugh, it is not like he is breathing on me, silly-billy,” Maya retorted. “Besides, things are now just getting juicy!”

Meanwhile, as though he completely understood what needed doing Torneko sauntered in toward the bedridden fellow and set the damp cloths on a stand close by. He cheerfully handed one cloth to the old man, who took it, bemused.

“I am marveled at kindness of pure strangers,” he remarked. “It is no use to hide more longer, I judge: As you are seeing, my compatriot is severely ill. We are arriving at town in hopes to procure medicines, but…”

He tapped on the rounded top of his staff, seeming to mull over how much more he should reveal. “I am Borya, esteemed court magician,” he continued. “My hapless compatriot Kiryl is priest-in-training. We are residents of most excellent castle Zamoksva, in the country of Maestrel.”

Solo edged inside the doorway and finally spoke up.

“Zamoksva? Isn’t that the kingdom whose inhabitants mysteriously disappeared some time ago? But you somehow escaped.”

Borya nodded. “We are final remnants of once-glorious castle: Kiryl and I…and our Tsarevna Alena, whom we have responsibility to escort.”

He laid a cloth across Kiryl’s fevered brow and patted it in place. “I am concerning for her safety also,” he said more to himself. “Yoy… Such trouble Kiryl has caused by his infirmity. I am sure to give him sharp reprimand for this inconvenience when he is again healthful.”

“Listen,” Solo hedged, “could we help you in any way? We’ve had our own share of…troubles, so we understand the value of a hand in hard times.”

“Tch! Solo, you are so very confused, no?” Maya said. “I am personally only understanding the value of a nice gold co- Yowch! Why do you pinch me on the arm, sis?”

Borya studied Solo and then glanced around at the rest of the party. “This is exceeding kindness. I cannot to impose own problems upon you. But…you say I am meant to join your band of travelers?”

“Yes,” said Meena. She lifted her glass ball and gazed into it. “You, and the sickly sickly priest, and also the Alena girl, who is not here.”

Borya still seemed to hesitate. He looked down at Kiryl, who moaned and flopped over in bed.

“I am of mind to trust you,” he finally said, “as other options are few. Very well.” He turned sternly toward the group. “Tsarevna Alena is gone to procure feverfew root, which local commoners say is cure for Kiryl’s condition. It is said to be grown in neighboring village, but Alena has been gone so many days without word. She is like stubborn and reckless goat, and I fear she has come into some peril. I cannot depart Kiryl’s side else he expire from improper care. You see how I am jammed by current circumstance.”

“Well, since there are four of us and only one of you, we’d likely be better help in searching for your…ehm…Tsarevna.” Solo tried to cover his unfamiliarity with the title by slurring it quickly. “We’re seasoned travelers and would be able to rescue her should she be beset by monsters.”

“Agya, she will more likely need rescuing from own self, I mind,” Borya grumbled. “But is no matter. You have my complete gratitude for this offer.”

He bowed shortly over his cane, then turned to change the cloth on Kiryl’s forehead. Solo and the others took it as a cue to take their leave.

“I am hoping we can assist them quickly quickly, so our band of Chosen can become more complete,” Meena said as they exited the room.

“I am hoping this Zamoksvan princess will reward us with great riches since we are being such excellent help!” Maya added (to her sister’s consternation).

Torneko brought up the rear. “Don’t suppose I might sit this one out, fellas? Give an old man some rest? …Aye, I thought not.”

A Practice in Dedication

Writing

My worst sin as a writer is perfectionism. I’ll delay and delay and delay writing a piece just because I know I’m not going to create the exact scene or feeling that plays so perfectly in my mind. Not to mention the trouble I have creating bridges between my perfected scenes – those gaps where I have NO idea how to get from point A to point B.

Do all artists suffer this? I’d like to think only the really excellent ones do. *preens shamelessly*

It’s time, though, to break this bad habit and foster a new good habit of writing despite anything – mood, worries, frustration, WHATEVER. And the way I plan to commit to this exercise…

…is by finishing a fan fiction.

(I have a feeling some of my family – and possibly friends – are groaning in dismay right about now.)

The beauty of fan fiction is that the setting and characters are already prepared for you, which relieves some of the creative strain. That way, you can focus more on improving dialogue, description, action: the more observed parts of the writing process. With the background work already done for me, the hope is that this exercise will not only train me to stay focused on a project – even if perfectionism rears its ugly head – but will perhaps also teach me to loosen up and allow the creative process some breathing room to be less stiff, which is what perfectionism ultimately breeds.

If you are somehow intrigued and want details on this project – the game on which my fan fiction is based, the type of story it’ll be – then I’m going to leave you (mostly) disappointed. I plan to keep this hush-hush until finished, although I may allow an update or even a sneak peek over the next few months.

But…hey! Hopefully by next year I’ll have the FULL project available for y’all to read. I mean, it might not be that exciting for those of you uninterested in video game fan work…but on the plus side, I can’t copyright it to sell, so at least it’ll be free entertainment.

Wish me luck, everyone!

 

(The above picture is courtesy of the Professor Layton series, playable on Nintendo DS and 3DS.)